Pintura Identificación:: 1696
Mary Magdalene María Magdalene 1533
Pitti Palace, Florence Santa Maria della Salute, Venecia Italian High Renaissance Painter, ca.1485-1576
Pintura Identificación:: 27561
Mary Magdalene María Magdalene mk56
oil on canvas
Circle of Francesco Trevisani el petróleo mk56 en el Círculo de lona de Francesco Trevisani
Pintura Identificación:: 33265
Mary Magdalene María Magdalene mk83
c.1468
Fresco
190x180cm
mk83 C. 1468 Fresco 190x180cm Italian Early Renaissance Painter, ca.1422-1492
Pintura Identificación:: 33431
Mary Magdalene MaríaMagdalene mk86
c.1453
Oil on wood
41x34cm
Paris,Musee National du Louvre
mk86 C. 1453 Petróleo en la madera 41x34cm París, Musee du Nacional Louvre c.1399-1464
Pintura Identificación:: 33539
Mary Magdalene María Magdalene mk86
1529
Oil on canvas
67x76.5cm
Asmsterdam,Rijksmuseum
mk86 1529 Engrasan en la lona 67x76.5cm Asmsterdam, Rijksmuseum Dutch
1495-1562
Jan Van Scorel Galleries
Pintura Identificación:: 40350
Mary Magdalene María Magdalene mk156
c.1530
Oil on panel
67x76.5cm
mk156 C. 1530 Petróleo en pone panel 67x76.5cm Dutch
1495-1562
Jan Van Scorel Galleries
Pintura Identificación:: 41144
Mary Magdalene María Magdalene mk157
1583-87
Oil on canvas
425x209cm
mk157 1583-87 Engrasan en la lona 425x209cm Birth Year:, 1518. Death Year:, 1594
Pintura Identificación:: 63081
Mary Magdalene 1754 Oil on canvas Cistertian Church, Zirc The picture shows the influence Piazzetta's painting. Artist: MAULBERTSCH, Franz Anton Painting Title: Mary Magdalen , 1751-1800 Painting Style: Austrian , , religious Austrian Painter, 1724-1796
Pintura Identificación:: 75730
Mary Magdalene Mary Magdalene, Oil on wood panel, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum)
cjr 1829-1904
Pintura Identificación:: 77504
Mary Magdalene Oil on wood panel, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum)
Deutsch: Maria Magdalena, Öl auf Holz, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum)
Date c. 1858-60
cyf 1829-1904
Pintura Identificación:: 79946
Mary Magdalene circa 1624-1625
Medium Oil on canvas
Current location Blanton Museum of Art
cyf Italian Baroque Era Painter, 1591-1666
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance.
While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain.
Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
Pintura Identificación:: 85215
Mary Magdalene Date first half of 16th century
Medium Oil on oak panel
Dimensions Height: 69.5 cm (27.4 in). Width: 55.5 cm (21.9 in).
cjr (c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance.
While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain.
Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance.
While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain.
Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
Pintura Identificación:: 90885
Mary Magdalene Oil on oak panel, 69,5 x 55,5 cm
Date 1120s
cjr (c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance.
While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain.
Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
Ambrosius Benson (c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance.
While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain.
Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
Mary Magdalene
