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Titian

Italian High Renaissance Painter, ca.1485-1576

Pintura Identificación::  1696
Mary Magdalene
María Magdalene
1533 Pitti Palace, Florence
Santa Maria della Salute, Venecia
Italian High Renaissance Painter, ca.1485-1576

   
 

 

 
   
      


Pintura Identificación::  27561
Mary Magdalene
María Magdalene
mk56 oil on canvas Circle of Francesco Trevisani
el petróleo mk56 en el Círculo de lona de Francesco Trevisani

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

Pintura Identificación::  33265
Mary Magdalene
María Magdalene
mk83 c.1468 Fresco 190x180cm
mk83 C. 1468 Fresco 190x180cm
Italian Early Renaissance Painter, ca.1422-1492

   
 

 

 
   
      


Pintura Identificación::  33431
Mary Magdalene
MaríaMagdalene
mk86 c.1453 Oil on wood 41x34cm Paris,Musee National du Louvre
mk86 C. 1453 Petróleo en la madera 41x34cm París, Musee du Nacional Louvre
c.1399-1464

   
 

 

 
   
      

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Jan van Scorel

Dutch 1495-1562 Jan Van Scorel Galleries

Pintura Identificación::  33539
Mary Magdalene
María Magdalene
mk86 1529 Oil on canvas 67x76.5cm Asmsterdam,Rijksmuseum
mk86 1529 Engrasan en la lona 67x76.5cm Asmsterdam, Rijksmuseum
Dutch 1495-1562 Jan Van Scorel Galleries

   
 

 

 
   
      

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Jan van Scorel

Dutch 1495-1562 Jan Van Scorel Galleries

Pintura Identificación::  40350
Mary Magdalene
María Magdalene
mk156 c.1530 Oil on panel 67x76.5cm
mk156 C. 1530 Petróleo en pone panel 67x76.5cm
Dutch 1495-1562 Jan Van Scorel Galleries

   
 

 

 
   
      

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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594

Pintura Identificación::  41144
Mary Magdalene
María Magdalene
mk157 1583-87 Oil on canvas 425x209cm
mk157 1583-87 Engrasan en la lona 425x209cm
Birth Year:, 1518. Death Year:, 1594

   
 

 

 
   
      

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BENSON, Ambrosius

Flemish Northern Renaissance Painter, ca.1495-1550

Pintura Identificación::  43840
Mary Magdalene
Oil on oak panel, 69,5 x 55,5 cm
Flemish Northern Renaissance Painter, ca.1495-1550

   
 

 

 
   
      

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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796

Pintura Identificación::  63081
Mary Magdalene
1754 Oil on canvas Cistertian Church, Zirc The picture shows the influence Piazzetta's painting. Artist: MAULBERTSCH, Franz Anton Painting Title: Mary Magdalen , 1751-1800 Painting Style: Austrian , , religious
Austrian Painter, 1724-1796

   
 

 

 
   
      


Pintura Identificación::  75730
Mary Magdalene
Mary Magdalene, Oil on wood panel, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum) cjr
1829-1904

   
 

 

 
   
      


Pintura Identificación::  77504
Mary Magdalene
Oil on wood panel, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum) Deutsch: Maria Magdalena, Öl auf Holz, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum) Date c. 1858-60 cyf
1829-1904

   
 

 

 
   
      

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GUERCINO

Italian Baroque Era Painter, 1591-1666

Pintura Identificación::  79190
Mary Magdalene
circa 1624-1625 Medium Oil on canvas cyf
Italian Baroque Era Painter, 1591-1666

   
 

 

 
   
      

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GUERCINO

Italian Baroque Era Painter, 1591-1666

Pintura Identificación::  79946
Mary Magdalene
circa 1624-1625 Medium Oil on canvas Current location Blanton Museum of Art cyf
Italian Baroque Era Painter, 1591-1666

   
 

 

 
   
      

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Ambrosius Benson

(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's

Pintura Identificación::  85215
Mary Magdalene
Date first half of 16th century Medium Oil on oak panel Dimensions Height: 69.5 cm (27.4 in). Width: 55.5 cm (21.9 in). cjr
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's

   
 

 

 
   
      

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Ambrosius Benson

(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's

Pintura Identificación::  90885
Mary Magdalene
Oil on oak panel, 69,5 x 55,5 cm Date 1120s cjr
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's

   
 

 

 
   
      

Ambrosius Benson
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
Mary Magdalene

        
 
   
 

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